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But, in fact, all these ideas of history, real and imagined, are amalgamated in a lushly sonic package that finds Malinowski pulling from the ramshackled grooves and swelling, cinematic strings of Maritime pop. It sounds like a heady premise, knotty with ideas and concepts. When I started working with the string trio the End Tree in Vancouver I felt I could properly sound out the concept.” After traveling for ten years on the road I felt I was ready personally. I was inspired not only from my grandfather’s notes on the past in Cape Breton but from my own life touring around the world. Martel is a person who is at a crossroads in life, a sailor who goes from questioning the outside world to questioning himself. “But I think it was more a matter of where I was at in life, than how many albums I had released. “I had the idea of Martel for a long time in my mind,” says Malinowski. Charles Martel is the central figure of the story, Malinowski’s grandfather, who left the singer a wealth of personal letters, notes and journals when he passed on. It is also personal history of the singer’s ancestry, a document of a bloodline tracing back centuries and a reality imagined through pop music, art and poetry. Rather, Martel is a composite work of Canadiana folk, Martime Waltzes, sea-shanties and jubilant orchestral pop. Malinowski’s sophomore album bares no longer any traces of his reggae-flirtations with Bedouin Soundclash or Bright Lights and Bruises’ simple and straightforward folk-pop. While the album didn’t reach the same level of success like its predecessor, it elevated the band’s sound to a level above the usual pop of formatted radio.Īt the tail-end of 2013, Martel was introduced. Known for his sophisticated electro-jazz productions, Britt stretched the band’s rhythms beyond the pop-rock structures so that they jittered elegantly like jazz riffs against the strands of punk and reggae. When Bedouin Soundclash returned in 2011 with Light the Horizon, their sound had now widened to encompass the appropriations of electronic music, thanks to the work of producer King Britt. The album garnered favourable reviews, with critics noting the elements of the singer’s distinctive voice far more pronounced in the sparse settings of piano and guitar alone. In the interim, Malinowski quietly recorded his debut solo record, Bright Lights and Bruises (2010), which stripped away the reggae leanings of his other band for a more ethereal brand of folk-pop.
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Tensions, however, within the band began to rise, forcing singer and guitarist Malinowski to step aside briefly for a rest stop. 2007’s Street Gospels continued their streak in groove-experimenting, lightly toying with the shuffles of drum ‘n bass and hip-hop whilst still keeping the pressure heavy on the punk and reggae elements in their sound.Īs Bedouin Sounclash’s notoriety increased, particularly overseas, the band saw itself co-headlining and touring with such diverse acts like the Roots, Ben Harper, Damian Marley, No Doubt and Burning Spear.
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The album, produced by Bad Brains bassist Darryl Jenifer, displayed an even stronger sense of groove, beefing up the production on the rhythm section that would help the band’s sound traverse between the city street grottos and the dance clubs. Leading single “When the Night Feels My Song” was received with great enthusiasm and carried to the number one spot on the Canadian singles chart. The band’s debut, Root Fire (2001) caught the attention of a few curious listeners with its quietly brewing mix of Africana, pop, reggae and punk.īut it wasn’t until a few years later with the release of their sophomore album, Sounding a Mosaic (2004), that Bedouin Soundclash caught on in a big way. Like their forbearers, Bedouin Soundclash fuses the heavy rhythms of reggae with the restless spirit of punk - a catchy blend which awarded the band heavy rotation on Canadian radio and raised its profile considerably. Most Canadians know Jay Malinowski as the frontman of Bedouin Soundclash, a band in the tradition of such punk and ska acts like the Clash, the Specials and the Untouchables.